Language is nearly constant, with "f-k" and "f-ing" both used a ton. A married couple has sex there's also some flirting and heavy sexual innuendo. The main character has moments of explosive rage/violence himself and briefly strikes out at his wife. And a man rapes a woman, twice, while airmen watch helplessly from their monitors. There are scenes of shocking, upsetting violence when victims are shown dying in explosions (seen via video monitors). Air Force pilot ( Ethan Hawke) who now fires drones at Middle Eastern targets from a safe bunker in Las Vegas. Buckle up, fans of female-centered cockeyed drama: Why Women Kill is for you.Parents need to know that Good Kill is a war-related drama about a U.S. Her American accent (she's English) is impeccable, and so is her performance. "I want to see you suffer in a one-bedroom apartment by the airport, and you are no going to deny me that pleasure!" But for those who haven't caught her turns on Killing Eve, The Good Place, or Barry, Kirby Howell-Baptiste is a surprise, bringing intelligence and warmth to her could-be-off-putting character, a bisexual hard-as-nails lawyer in an open marriage who moves her latest lover into her marital home - and soon regrets it. And Liu still has a way with nasty lines: "You think you're going to get out of this by dying?" she demands of another character who's swallowed a bottle of pills after an upset. Viewers' first reactions to seeing Goodwin and Liu might be something like nostalgic delight: It's been a while since Big Love and Ally McBeal were hits, and fans of either or both of those well-loved shows may want to send up a silent prayer of thanks that creators like Cherry and Ryan Murphy are fond of casting female actors of a certain age, who may have been passed over by Hollywood but can still give material that bam-pow-zing.Īs a sad wife turned sneaky conspirator, Goodwin is easily as effective as she was as a newbie sister-wife on Big Love. Once again, Cherry's winning formula of mixing great actors with devious doings in elegant suburban surroundings is, well, quite winning. Peppy, arch, and inordinately charming, Marc Cherry's new series reads as if his Desperate Housewives were given the freedom to curse - and to kill. Strong women anchor this drama, and women in their 30s, 40s, and 50s have central roles. In the 1960s, a character eats marijuana brownies and has a psychedelic experience. Language is mature: "F-k," "s-t," "bitch," and other expletives are generally used for comic effect and emphasis, as are words about body parts ("d-k," "t-ts"). Sexual content is also mature: One couple has a polyamorous relationship and engages in group sex (we see them kissing in a shower but no private parts), and extramarital affairs (same- and opposite-sex) are the catalyst for many events. In another scene, two characters brawl on a lawn and one blames her behavior on being drunk. The show's animated opening series shows women murdering men bloodily, and self-harm plays a part in the narrative, with at least one character attempting suicide and others making jokes about suicide (she's so jealous of someone's house she could just kill herself!). With the word "kill" in the title, viewers should expect murder and death, though violence is often played for laughs and depicted with a light tone. Parents need to know that Why Women Kill is a soapy drama about wives in three eras who suffer through betrayals and react strongly to them.
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